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パレスチナ人地区とイスラエルについて多くのドキュメンタリー映像や著作を発表してきた土井敏邦が、キャリアの集大成として製作した本作。

とある地方局で巻き起こるよくある！？日常を描いたショートコメディアニメーション。パート２はさらにパワーアップしたスタッフたちのテンションはMAXに！！ 　　新キャスター・高橋一太郎の加入後、それなりに！？平穏な日々を送っている「ワールドフールニュース」スタッフたち。だが、そんな彼らに新しい危機が迫って来ていた・・・

とある地方局で巻き起こるよくある！？日常を描いたショートコメディアニメーション。パート２はさらにパワーアップしたスタッフたちのテンションはMAXに！！ 　　新キャスター・高橋一太郎の加入後、それなりに！？平穏な日々を送っている「ワールドフールニュース」スタッフたち。だが、そんな彼らに新しい危機が迫って来ていた・・・

1989: 64th and last year of the Showa era. A girl is kidnapped and killed. The unsolved case is called Case 64 ('rokuyon'). 2002: Yoshinobu Mikami, who was the detective in charge of the Case 64, moves as a Public Relations Officer in the Police Affairs Department. His relation with the reporters is conflicted and his own daughter is missing. The statute of limitations for the Case 64 will expire in one year. Then a kidnapping case, similar to the Case 64, takes place. The rift between the criminal investigation department and police administration department deepens. Mikami challenges the case as a public relations secretary.

Humanity is under attack by human-mimicking flesh-eating alien parasites. One parasite bonds with his young high school student host, and he convinces the parasite to help him stop the others.

At the age of 27, in Nazi-occupied Amsterdam, Etty Hillesum embarks on a spiritual and emotional journey, all chronicled in her diaries. In them, she unfolds her turbulent love affair with the psycho-chirologist Julius Spier, a relationship that becomes the catalyst for a radical inner transformation, accelerated by the growing threat she faces as a Jewish woman. Her unusual path ultimately leads her to an enormous act of solidarity.

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Krishna (played by Ananth Nag), who agrees to act as the husband of a rich girl, Meera (played by Thara), for money. This creates complications when his own wife, Radha (also played by Thara), finds out about the arrangement. The story takes a turn when Meera's father reveals the tragic circumstances behind her life, leading to a resolution where Krishna and Radha reunite.

雾中鸟巢” 是一部双屏幕非线性影像短片，短片由几个片段性的故事情节组成，围绕着一个生活在工业化城市中的家庭展开，支离破碎的家庭成员之间冷漠的感情关系与城市化发展带来的环境问题是这部短片的核心。同时，短片还探索了在双屏幕影像中蒙太奇的变化。两个屏幕的影像同时呈现，打破了传统影像中的空间和时间关系。在形式与内容上，这种特殊的空间和时间关系与影片中所表现的两代人之间的隔阂，冷漠，对抗，形成一致。